Ludwig van Beethoven: 9 Symphonien


By general consensus, Herbert von Karajan's first (1963) Beethoven cycle for Deutsche Grammophon is the best of the four (!) that he recorded. The Berlin Philharmonic was in top form, and they had not yet made an artistic fetish out of the bland smoothness that typified the conductor's later recordings of this music (and just about everything else). Karajan's squeaky clean, emotionally cool Beethoven will always be something of an acquired taste, but this set makes the best possible case for it. --David Hurwitz

Foundations Of Funk: A Brand New Bag: 1964-1969



Funk 101, for sure. We may never totally understand how James Brown took his music from the earlier styles of R&B he assimilated to the feverish development of the harder, more modern sound of records ranging from "Papa's Got a Brand New Bag" to "Say It Loud-I'm Black and I'm Proud," but here's another chance for us to listen in awe. In addition to long versions of the period's cornerstones, Foundations of Funk offers an alternate take of "Cold Sweat" and live versions of "Licking Stick-Licking Stick" and "Mother Popcorn"--the latter achieving a meltdown that puts the Brown band on the same side of the street as Funhouse-era Stooges. Hah! --Rickey Wright

One Chance



Britain's Got Talent winner Paul Potts has spent most of his life feeling 'insignificant'. Bullied at school for being 'different', he realized growing up that he had one true friend and that was his voice. Singing was his escape. He was able to lose himself in his own little world - the vicious words of his tormentors replaced by hauntingly beautiful lyrics and melodies that lifted his heart and spirit. It was a love, a passion, a lifeline that would follow Paul into adulthood and help him through many more periods of adversity.



Though it's fair to say that when Paul strolled awkwardly - almost apologetically - onto the Cardiff stage for his first Britain’s Got Talent audition a week before that final, in his now infamous £35 Tesco suit, and announced to Simon and fellow judges Amanda Holden and Piers Morgan that he was going to sing opera, they never thought for one minute they were looking at their winner. Until he opened his mouth and started to sing

Raising Sand



The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution. Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising San